No Place - Short Version
30s preview
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 3:38
- Released
- 2018
- Album
- No Place
- Genre
- Dance Pop
- Loudness
- -6.4 dB
- Dynamics
- 12.5 dB
- ISRC
- USRE11900304
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Place - Live from Joshua Treeoriginal9A · 120
- No Place - Club Editversion10A · 120
- No Place - Will Clarke Remixremix10A · 125
- No Place - Eelke Kleijn Remixremix9B · 123
- No Place - Lindstrøm & Prins Thomas Remixremix9A · 120
- No Placeoriginal9A · 120
No Place - Short Version: club-tempo dance pop, E minor (9A), 120 BPM. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. More underground than 99% of Rufus Du Sol's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 95% of Rufus Du Sol's catalogue
- Tempo:
- slower than 88% of Rufus Du Sol's catalogue
- Energy:
- hotter than 81% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is No Place - Short Version in?
No Place - Short Version by Rufus Du Sol is in E minor, or 9A on the Camelot wheel.
What BPM is No Place - Short Version?
No Place - Short Version runs at 120 BPM, a club-tempo track.
What mixes well with No Place - Short Version?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is No Place - Short Version good for peak time?
With energy 86 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
