No Place - Club Edit
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 86/100
- Pop
- 31/100
- Length
- 5:58
- Released
- 2018
- Album
- SOLACE REMIXES VOL. 1
- Genre
- Dance Pop
- Loudness
- -5.5 dB
- Dynamics
- 9.8 dB
- ISRC
- USRE11800614
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Place - Live from Joshua Treeoriginal9A · 120
- No Place - Will Clarke Remixremix10A · 125
- No Place - Eelke Kleijn Remixremix9B · 123
- No Place - Lindstrøm & Prins Thomas Remixremix9A · 120
- No Placeoriginal9A · 120
- No Place - Short Versionoriginal9A · 120
Against the original (9A at 120 BPM), this version holds the same tempo and moves the key from 9A to 10A.
No Place - Club Edit runs 120 BPM in B minor (10A), a club-tempo dance pop record. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Slower than 88% of Rufus Du Sol's catalogue.
- Energy:
- hotter than 81% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is No Place - Club Edit in?
No Place - Club Edit by Rufus Du Sol is in B minor, or 10A on the Camelot wheel.
What BPM is No Place - Club Edit?
No Place - Club Edit runs at 120 BPM, a club-tempo track.
What mixes well with No Place - Club Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is No Place - Club Edit good for peak time?
With energy 86 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
