Low Tide
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 4:32
- Released
- 2013
- Album
- Alphaville EP
- Genre
- House
- Loudness
- -11.8 dB
- Dynamics
- 10.5 dB
- ISRC
- USB7M1000151
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Low Tide - AOB Remixremix10B · 112
Low Tide: club-tempo house, A minor (8A), 120 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Tilman's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 93% of Tilman's catalogue
- Low end:
- more bass-heavy than 93% of Tilman's catalogue
- Energy:
- calmer than 85% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Low Tide in?
Low Tide by Tilman is in A minor, or 8A on the Camelot wheel.
What BPM is Low Tide?
Low Tide runs at 120 BPM, a club-tempo track.
What mixes well with Low Tide?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Low Tide good for peak time?
With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Bittersweet Emotion (Qrion Remix) [feat. Josh Tobias] by Qrion cover art](https://i.scdn.co/image/ab67616d00001e023636153835c911a0f51914f2){kind=small}
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
