To Have and to Hold (Radio Edit)
- BPM
- 120
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 4:06
- Released
- 2017
- Genre
- Progressive House
- Loudness
- -11.8 dB
- ISRC
- GB3CE1700021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, To Have and to Hold (Radio Edit) sits in F♯ minor (11A) at 120 BPM. The feel is dark and driving. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Slower than 99% of Sebjak's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Sebjak's catalogue
- Brightness:
- darker than 96% of Sebjak's catalogue
- Energy:
- calmer than 87% of Sebjak's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is To Have and to Hold (Radio Edit) in?
To Have and to Hold (Radio Edit) by Sebjak is in F♯ minor, or 11A on the Camelot wheel.
What BPM is To Have and to Hold (Radio Edit)?
To Have and to Hold (Radio Edit) runs at 120 BPM, a club-tempo track.
What mixes well with To Have and to Hold (Radio Edit)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is To Have and to Hold (Radio Edit) good for peak time?
With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Sebjak
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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