Nothing You Can Say (radio edit)
30s preview
- BPM
- 120
- Open Key
- 5m
- Energy
- 78/100
- Pop
- 28/100
- Length
- 3:03
- Released
- 2014
- Genre
- Deep House
- Loudness
- -8.1 dB
- Dynamics
- 10.5 dB
- ISRC
- GBEWA1400044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing You Can Say - Original Mixoriginal1B · 120
- Nothing You Can Say - Baio Remixremix12B · 120
Against the original (1B at 120 BPM), this version holds the same tempo and moves the key from 1B to 12A.
At 120 BPM in D♭ minor (12A), Nothing You Can Say (radio edit) is a club-tempo deep house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Slower than 97% of Lane 8's catalogue.
- Brightness:
- brighter than 83% of Lane 8's catalogue
- Groove:
- groovier than 77% of Lane 8's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Nothing You Can Say (radio edit) in?
Nothing You Can Say (radio edit) by Lane 8 is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Nothing You Can Say (radio edit)?
Nothing You Can Say (radio edit) runs at 120 BPM, a club-tempo track.
What mixes well with Nothing You Can Say (radio edit)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Nothing You Can Say (radio edit) good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
![Boy Boy Boy - MK Remix [Radio Edit] by Andhim cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0abff33e78e2e138d2e0.webp){kind=small}
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
