
White - Alexander Laurell & Toti Pereira Remix
- BPM
- 120
- Open Key
- 4d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 7:28
- Released
- 2016
- Album
- Andres Campo Remixed, White
- Genre
- Techno
- Loudness
- -4.6 dB
- ISRC
- QMSNZ1510922
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Whiteoriginal2B · 120
- White - Lander B & Oscar Escapa Remixremix3A · 125
- White - Alberto Ruiz Remixremix11A · 125
- White - Lander B & Oscar Escapa Remixremix3A · 125
- White - Loco & Jam Remixremix9B · 123
- White - Alberto Ruiz Remixremix11A · 125
Against the original (2B at 120 BPM), this version holds the same tempo and moves the key from 2B to 11B.
White - Alexander Laurell & Toti Pereira Remix is a club-tempo techno track in A major (11B) at 120 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Slower than 99% of Andres Campo's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Andres Campo's catalogue
- Brightness:
- brighter than 86% of Andres Campo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is White - Alexander Laurell & Toti Pereira Remix in?
White - Alexander Laurell & Toti Pereira Remix by Andres Campo is in A major, or 11B on the Camelot wheel.
What BPM is White - Alexander Laurell & Toti Pereira Remix?
White - Alexander Laurell & Toti Pereira Remix runs at 120 BPM, a club-tempo track.
What mixes well with White - Alexander Laurell & Toti Pereira Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is White - Alexander Laurell & Toti Pereira Remix good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More techno
More from Andres Campo
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.