Music Blast'n - Tilman's Breezin' Mix
30s preview
- BPM
- 120
- Open Key
- 6m
- Energy
- 78/100
- Pop
- 1/100
- Length
- 6:33
- Released
- 2021
- Album
- Music Blast'n (Tilman's Breezin' Mix)
- Genre
- House
- Loudness
- -7.2 dB
- Dynamics
- 14.3 dB
- ISRC
- DEH742100879
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Music Blast'n - Tilman's Breezin' Mix sits in A♭ minor (1A) at 120 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 84% of Tilman's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 80% of Tilman's catalogue
- Brightness:
- brighter than 76% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Music Blast'n - Tilman's Breezin' Mix in?
Music Blast'n - Tilman's Breezin' Mix by Tilman is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Music Blast'n - Tilman's Breezin' Mix?
Music Blast'n - Tilman's Breezin' Mix runs at 120 BPM, a club-tempo track.
What mixes well with Music Blast'n - Tilman's Breezin' Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Music Blast'n - Tilman's Breezin' Mix good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
