Canyon - Matan Caspi Remix by Michael A cover art

Canyon - Matan Caspi Remix

Michael A

30s preview

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
82/100
Pop
0/100
Length
7:33
Released
2017
Album
Illusion
Genre
Progressive House
Loudness
-12.8 dB
Dynamics
14.9 dB
ISRC
US83Z1768589

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 122 BPM), this version holds the same tempo and moves the key from 4B to 3A.

A club-tempo progressive house cut, Canyon - Matan Caspi Remix sits in B♭ minor (3A) at 122 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More underground than 99% of Michael A's catalogue. For programming, treat it as a floor-filler.

Brightness:
darker than 84% of Michael A's catalogue
Low end:
more treble-tilted than 84% of Michael A's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood7Dark
Groove75
Acoustic0
Instrumental88
Live89
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Canyon - Matan Caspi Remix in?

Canyon - Matan Caspi Remix by Michael A is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Canyon - Matan Caspi Remix?

Canyon - Matan Caspi Remix runs at 122 BPM, a club-tempo track.

What mixes well with Canyon - Matan Caspi Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Canyon - Matan Caspi Remix good for peak time?

With energy 82 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Michael A

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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