Buenos Aires - Deep in Palermo Mix
30s preview
- BPM
- 127
- Open Key
- 11d
- Energy
- 64/100
- Pop
- 6/100
- Length
- 9:05
- Released
- 2011
- Album
- Buenos Aires
- Genre
- Progressive House
- Label
- Hope Recordings
- Loudness
- -11.0 dB
- Dynamics
- 11.6 dB
- ISRC
- GBDRF1100006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buenos Airesoriginal10A · 126
- Buenos Aires - Radio Editversion9A · 126
- Buenos Aires - Terry Lee Brown Jnr Mixoriginal1B · 124
- Buenos Aires - Nicolas Rada Remixremix10A · 122
- Buenos Aires - Applescal Remixremix6A · 116
- Buenos Aires - Mike Griego Deep Mixoriginal9B · 123
Buenos Aires - Deep in Palermo Mix runs 127 BPM in B♭ major (6B), a peak-time tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Faster than 95% of Nick Warren's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 94% of Nick Warren's catalogue
- Low end:
- more bass-heavy than 89% of Nick Warren's catalogue
- Energy:
- calmer than 77% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Buenos Aires - Deep in Palermo Mix in?
Buenos Aires - Deep in Palermo Mix by Nick Warren is in B♭ major, or 6B on the Camelot wheel.
What BPM is Buenos Aires - Deep in Palermo Mix?
Buenos Aires - Deep in Palermo Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Buenos Aires - Deep in Palermo Mix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Buenos Aires - Deep in Palermo Mix good for peak time?
With energy 64 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 127 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
