To Standunder - Alex Niggemann's ShadowSelf Extended Remix
30s preview
- BPM
- 127
- Open Key
- 10d
- Energy
- 70/100
- Pop
- 5/100
- Length
- 7:02
- Released
- 2025
- Album
- To Standunder (Alex Niggemann's ShadowSelf Remix)
- Genre
- Tech House
- Loudness
- -10.9 dB
- Dynamics
- 10.8 dB
- ISRC
- DEU672500105
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- To Standunder - Alex Niggemann's ShadowSelf Remixremix5B · 127
To Standunder - Alex Niggemann's ShadowSelf Extended Remix: peak-time tempo tech house, E♭ major (5B), 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 95% of Alex Niggemann's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 90% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is To Standunder - Alex Niggemann's ShadowSelf Extended Remix in?
To Standunder - Alex Niggemann's ShadowSelf Extended Remix by Alex Niggemann is in E♭ major, or 5B on the Camelot wheel.
What BPM is To Standunder - Alex Niggemann's ShadowSelf Extended Remix?
To Standunder - Alex Niggemann's ShadowSelf Extended Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with To Standunder - Alex Niggemann's ShadowSelf Extended Remix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is To Standunder - Alex Niggemann's ShadowSelf Extended Remix good for peak time?
With energy 70 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 127 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
