Runaway (album version)
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 2009
- Genre
- Progressive House
- Loudness
- -7.7 dB
- Dynamics
- 12.7 dB
- ISRC
- GBPQS1000003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Runawayoriginal9B · 127
- Runaway - Paul Thomas Remix Editremix9B · 125
- Runaway - Extended Mixversion10A · 127
Runaway (album version) runs 127 BPM in B minor (10A), a peak-time tempo progressive house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2009 production that still circulates in sets. More underground than 99% of Grum's catalogue.
- Brightness:
- brighter than 96% of Grum's catalogue
- Groove:
- groovier than 86% of Grum's catalogue
- Energy:
- calmer than 80% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Runaway (album version) in?
Runaway (album version) by Grum is in B minor, or 10A on the Camelot wheel.
What BPM is Runaway (album version)?
Runaway (album version) runs at 127 BPM, a peak-time tempo track.
What mixes well with Runaway (album version)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Runaway (album version) good for peak time?
With energy 62 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
