Buenos Aires - Terry Lee Brown Jnr Mix
30s preview
- Key
- 1B · B major
- BPM
- 124
- Open Key
- 6d
- Energy
- 59/100
- Pop
- 10/100
- Length
- 7:28
- Released
- 2011
- Album
- Buenos Aires
- Genre
- Progressive House
- Label
- Hope Recordings
- Loudness
- -12.5 dB
- Dynamics
- 12.1 dB
- ISRC
- GBDRF1100014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buenos Airesoriginal10A · 126
- Buenos Aires - Radio Editversion9A · 126
- Buenos Aires - Nicolas Rada Remixremix10A · 122
- Buenos Aires - Applescal Remixremix6A · 116
- Buenos Aires - Deep in Palermo Mixoriginal6B · 127
- Buenos Aires - Mike Griego Deep Mixoriginal9B · 123
Buenos Aires - Terry Lee Brown Jnr Mix: club-tempo progressive house, B major (1B), 124 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Calmer than 86% of Nick Warren's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Buenos Aires - Terry Lee Brown Jnr Mix in?
Buenos Aires - Terry Lee Brown Jnr Mix by Nick Warren is in B major, or 1B on the Camelot wheel.
What BPM is Buenos Aires - Terry Lee Brown Jnr Mix?
Buenos Aires - Terry Lee Brown Jnr Mix runs at 124 BPM, a club-tempo track.
What mixes well with Buenos Aires - Terry Lee Brown Jnr Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Buenos Aires - Terry Lee Brown Jnr Mix good for peak time?
With energy 59 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 124 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
