The Tribe by Tim Engelhardt cover art

30s preview

Key
9B · G major
BPM
124
Open Key
2d
Energy
59/100
Pop
0/100
Length
8:18
Released
2014
Album
Archipelago
Genre
Tech House
Loudness
-14.5 dB
Dynamics
15.9 dB
ISRC
DEH741401111

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 124 BPM in G major (9B), The Tribe is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2014 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue.

Low end:
more treble-tilted than 80% of Tim Engelhardt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood28Dark
Groove78
Acoustic7
Instrumental90
Live35
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is The Tribe in?

The Tribe by Tim Engelhardt is in G major, or 9B on the Camelot wheel.

What BPM is The Tribe?

The Tribe runs at 124 BPM, a club-tempo track.

What mixes well with The Tribe?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Tribe good for peak time?

With energy 59 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Tim Engelhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track