The End
30s preview
- Key
- 7B · F major
- BPM
- 124
- Open Key
- 12d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2013
- Genre
- Tech House
- Loudness
- -9.4 dB
- Dynamics
- 17.7 dB
- ISRC
- GB5LN1300200
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The End (Richie G Remix)remix5A · 124
- The End (Sabb Remix)remix1A · 122
The End: club-tempo tech house, F major (7B), 124 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 18 dB). A 2013 production that still circulates in sets. More underground than 99% of Hot Since 82's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Hot Since 82's catalogue
- Brightness:
- darker than 94% of Hot Since 82's catalogue
- Low end:
- more treble-tilted than 94% of Hot Since 82's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The End in?
The End by Hot Since 82 is in F major, or 7B on the Camelot wheel.
What BPM is The End?
The End runs at 124 BPM, a club-tempo track.
What mixes well with The End?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is The End good for peak time?
With energy 60 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 124 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Hot Since 82
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
