Synthwave - Haffenfold Remix
30s preview
- BPM
- 248
- Half-time
- 124
- Open Key
- 9d
- Energy
- 60/100
- Pop
- 4/100
- Length
- 5:03
- Released
- 2023
- Album
- Synthwave Remixes
- Genre
- Tech House
- Loudness
- -11.5 dB
- Dynamics
- 19.2 dB
- ISRC
- DGA0H2318541
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Synthwaveoriginal5A · 124
- Synthwave - OIO Remixremix3A · 124
- Synthwave - Imaad Lagardien Remixremix5B · 124
Against the original (5A at 124 BPM), this version runs 124 BPM faster and moves the key from 5A to 4B.
Synthwave - Haffenfold Remix: tech house, A♭ major (4B), 248 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). Faster than 99% of Rodriguez Jr.'s catalogue.
- Low end:
- more treble-tilted than 99% of Rodriguez Jr.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Synthwave - Haffenfold Remix in?
Synthwave - Haffenfold Remix by Rodriguez Jr. is in A♭ major, or 4B on the Camelot wheel.
What BPM is Synthwave - Haffenfold Remix?
Synthwave - Haffenfold Remix runs at 248 BPM.
What mixes well with Synthwave - Haffenfold Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Synthwave - Haffenfold Remix good for peak time?
With energy 60 out of 100 at 248 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 248 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 233-263 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 248 — beatmatch without a big tempo pull.
More tech house
More from Rodriguez Jr.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 248 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
