Invisible
30s preview
- BPM
- 123
- Open Key
- 5m
- Energy
- 58/100
- Pop
- 6/100
- Length
- 5:40
- Released
- 2021
- Genre
- Deep House
- Loudness
- -11.0 dB
- Dynamics
- 11.7 dB
- ISRC
- FR9W12104639
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Invisible - Paul Kalkbrenner Remixremix12A · 128
- Invisible - Piano Versionoriginal1A · 116
Invisible runs 123 BPM in D♭ minor (12A), a club-tempo deep house record. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 91% of NTO's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 88% of NTO's catalogue
- Brightness:
- darker than 87% of NTO's catalogue
- Reach:
- more underground than 76% of NTO's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Invisible in?
Invisible by NTO is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Invisible?
Invisible runs at 123 BPM, a club-tempo track.
What mixes well with Invisible?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Invisible good for peak time?
With energy 58 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![Til the End [Fludora] - Radio-Edit by Pretty Pink cover art](https://i.scdn.co/image/ab67616d00001e024ede5ecb617cbaab4751d545){kind=small}
More deep house
More from NTO
Full profile
![Stratus [1/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e4ae8485ca1aeefcafd4.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
