
Luminous Spaces - Edit
30s preview
- BPM
- 123
- Open Key
- 9d
- Energy
- 56/100
- Pop
- 29/100
- Length
- 4:41
- Released
- 2019
- Album
- Luminous Spaces
- Genre
- Downtempo
- Label
- Domino
- Loudness
- -13.3 dB
- Dynamics
- 15.9 dB
- ISRC
- GBCEL1900649
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Luminous Spacesoriginal5B · 123
Against the original (5B at 123 BPM), this version holds the same tempo and moves the key from 5B to 4B.
At 123 BPM in A♭ major (4B), Luminous Spaces - Edit is a club-tempo downtempo production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More bass-heavy than 78% of Jon Hopkins's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Luminous Spaces - Edit in?
Luminous Spaces - Edit by Jon Hopkins is in A♭ major, or 4B on the Camelot wheel.
What BPM is Luminous Spaces - Edit?
Luminous Spaces - Edit runs at 123 BPM, a club-tempo track.
What mixes well with Luminous Spaces - Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Luminous Spaces - Edit good for peak time?
With energy 56 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 123 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More downtempo
More from Jon Hopkins
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.