Immer Wieder - Francesco Mami & Fiorella Remix by David Hasert cover art

Immer Wieder - Francesco Mami & Fiorella Remix

David Hasert

30s preview

Key
1A · A♭ minor
BPM
123
Open Key
6m
Energy
58/100
Pop
0/100
Length
6:17
Released
2021
Album
Immer Wieder
Genre
Deep House
Loudness
-9.7 dB
Dynamics
10.6 dB
ISRC
DESH42100003

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (6A at 126 BPM), this version runs 3 BPM slower and moves the key from 6A to 1A.

Immer Wieder - Francesco Mami & Fiorella Remix runs 123 BPM in A♭ minor (1A), a club-tempo deep house record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of David Hasert's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 93% of David Hasert's catalogue
Brightness:
darker than 75% of David Hasert's catalogue
Low end:
more bass-heavy than 75% of David Hasert's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood27Dark
Groove85
Acoustic0
Instrumental85
Live16
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Immer Wieder - Francesco Mami & Fiorella Remix in?

Immer Wieder - Francesco Mami & Fiorella Remix by David Hasert is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Immer Wieder - Francesco Mami & Fiorella Remix?

Immer Wieder - Francesco Mami & Fiorella Remix runs at 123 BPM, a club-tempo track.

What mixes well with Immer Wieder - Francesco Mami & Fiorella Remix?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Immer Wieder - Francesco Mami & Fiorella Remix good for peak time?

With energy 58 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 123 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More deep house

More from David Hasert

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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