Henry & Lars
30s preview
- Key
- 1B · B major
- BPM
- 123
- Open Key
- 6d
- Energy
- 58/100
- Pop
- 0/100
- Length
- 7:24
- Released
- 2013
- Album
- Mobilee Back to Back Vol. 7 - Presented By Rodriguez Jr.
- Genre
- Tech House
- Loudness
- -7.6 dB
- Dynamics
- 10.0 dB
- ISRC
- DECL11200483
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Henry & Larsoriginal1B · 123
A club-tempo tech house cut, Henry & Lars sits in B major (1B) at 123 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Rodriguez Jr.'s catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 93% of Rodriguez Jr.'s catalogue
- Brightness:
- darker than 93% of Rodriguez Jr.'s catalogue
- Tempo:
- slower than 81% of Rodriguez Jr.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Henry & Lars in?
Henry & Lars by Rodriguez Jr. is in B major, or 1B on the Camelot wheel.
What BPM is Henry & Lars?
Henry & Lars runs at 123 BPM, a club-tempo track.
What mixes well with Henry & Lars?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Henry & Lars good for peak time?
With energy 58 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 123 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Rodriguez Jr.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
