Invisible - Paul Kalkbrenner Remix
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 60/100
- Pop
- 59/100
- Length
- 7:37
- Released
- 2021
- Album
- Invisible (Paul Kalkbrenner Remix)
- Genre
- Deep House
- Loudness
- -8.8 dB
- Dynamics
- 8.5 dB
- ISRC
- FR9W12104641
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Invisible - Piano Versionoriginal1A · 116
- Invisibleoriginal12A · 123
Against the original (1A at 116 BPM), this version runs 12 BPM faster and moves the key from 1A to 12A.
Invisible - Paul Kalkbrenner Remix: peak-time tempo deep house, D♭ minor (12A), 128 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of NTO's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 89% of NTO's catalogue
- Tempo:
- faster than 77% of NTO's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Invisible - Paul Kalkbrenner Remix in?
Invisible - Paul Kalkbrenner Remix by NTO is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Invisible - Paul Kalkbrenner Remix?
Invisible - Paul Kalkbrenner Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Invisible - Paul Kalkbrenner Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Invisible - Paul Kalkbrenner Remix good for peak time?
With energy 60 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
