Separate Paths by Klangphonics cover art

Separate Paths

Klangphonics

30s preview

Key
1A · A♭ minor
BPM
128
Open Key
6m
Energy
59/100
Pop
31/100
Length
5:57
Released
2022
Genre
Techno
Loudness
-10.7 dB
Dynamics
14.8 dB
ISRC
QZPLS2287924

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Separate Paths: peak-time tempo techno, A♭ minor (1A), 128 BPM. It reads as dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 94% of Klangphonics's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 94% of Klangphonics's catalogue
Low end:
more treble-tilted than 88% of Klangphonics's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood21Dark
Groove68
Acoustic60
Instrumental80
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Separate Paths in?

Separate Paths by Klangphonics is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Separate Paths?

Separate Paths runs at 128 BPM, a peak-time tempo track.

What mixes well with Separate Paths?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Separate Paths good for peak time?

With energy 59 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Klangphonics

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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