Twilight in Tankwa (original mix)
30s preview
- Key
- 1B · B major
- BPM
- 118
- Open Key
- 6d
- Energy
- 45/100
- Pop
- 14/100
- Length
- 8:54
- Released
- 2017
- Genre
- Tech House
- Loudness
- -13.9 dB
- Dynamics
- 10.3 dB
- ISRC
- GB7NR1743402
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Twilight in Tankwaoriginal9B · 116
At 118 BPM in B major (1B), Twilight in Tankwa (original mix) is a mid-tempo tech house production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More bass-heavy than 93% of Be Svendsen's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 87% of Be Svendsen's catalogue
- Brightness:
- darker than 79% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Twilight in Tankwa (original mix) in?
Twilight in Tankwa (original mix) by Be Svendsen is in B major, or 1B on the Camelot wheel.
What BPM is Twilight in Tankwa (original mix)?
Twilight in Tankwa (original mix) runs at 118 BPM, a mid-tempo track.
What mixes well with Twilight in Tankwa (original mix)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Twilight in Tankwa (original mix) good for peak time?
With energy 45 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 118 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More tech house
More from Be Svendsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
