Musique - Synth Tool
30s preview
- BPM
- 124
- Open Key
- 5d
- Energy
- 16/100
- Pop
- 0/100
- Length
- 1:27
- Released
- 2010
- Album
- Let's Get Back
- Genre
- Tech House
- Loudness
- -19.6 dB
- Dynamics
- 23.9 dB
- ISRC
- USYLM1000030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Musiqueoriginal4A · 248
- Musique - Vox Tooloriginal9A · 124
At 124 BPM in E major (12B), Musique - Synth Tool is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is focused in the upper-mids, present and forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 24 dB). A 2010 production that still circulates in sets. Calmer than 99% of Carlo Lio's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Carlo Lio's catalogue
- Low end:
- more treble-tilted than 99% of Carlo Lio's catalogue
- Tempo:
- slower than 97% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 5%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 37%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Musique - Synth Tool in?
Musique - Synth Tool by Carlo Lio is in E major, or 12B on the Camelot wheel.
What BPM is Musique - Synth Tool?
Musique - Synth Tool runs at 124 BPM, a club-tempo track.
What mixes well with Musique - Synth Tool?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Musique - Synth Tool good for peak time?
With energy 16 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 124 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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