The End Of Time
30s preview
- BPM
- 124
- Open Key
- 9d
- Energy
- 26/100
- Pop
- 0/100
- Length
- 6:59
- Released
- 2014
- Album
- The Tower
- Genre
- Tech House
- Loudness
- -14.1 dB
- Dynamics
- 11.3 dB
- ISRC
- GBENT0140340
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in A♭ major (4B), The End Of Time is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. Calmer than 99% of Patrice Bäumel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Patrice Bäumel's catalogue
- Low end:
- more bass-heavy than 99% of Patrice Bäumel's catalogue
- Brightness:
- darker than 98% of Patrice Bäumel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 53%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is The End Of Time in?
The End Of Time by Patrice Bäumel is in A♭ major, or 4B on the Camelot wheel.
What BPM is The End Of Time?
The End Of Time runs at 124 BPM, a club-tempo track.
What mixes well with The End Of Time?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is The End Of Time good for peak time?
With energy 26 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![Covert Affection (feat. Manaa) [Ambient Version] by Namito cover art](https://i.scdn.co/image/ab67616d00001e0202d4b8a713996b2e155c75b7){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
