Micro Diamond - Uvo's Macro Mix by Marcelo Vasami cover art

Micro Diamond - Uvo's Macro Mix

Marcelo Vasami

30s preview

Key
11A · F♯ minor
BPM
124
Open Key
4m
Energy
31/100
Pop
0/100
Length
8:15
Released
2014
Album
Micro Diamond
Genre
Progressive House
Loudness
-18.3 dB
Dynamics
11.9 dB
ISRC
US83Z1347387

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Micro Diamond - Uvo's Macro Mix: club-tempo progressive house, F♯ minor (11A), 124 BPM. Tonally it lands brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Calmer than 99% of Marcelo Vasami's catalogue. For programming, treat it as a warm-up or breakdown cut.

Brightness:
darker than 99% of Marcelo Vasami's catalogue
Reach:
more underground than 99% of Marcelo Vasami's catalogue
Low end:
more bass-heavy than 95% of Marcelo Vasami's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy31
Mood4Dark
Groove75
Acoustic3
Instrumental91
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
46%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Micro Diamond - Uvo's Macro Mix in?

Micro Diamond - Uvo's Macro Mix by Marcelo Vasami is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Micro Diamond - Uvo's Macro Mix?

Micro Diamond - Uvo's Macro Mix runs at 124 BPM, a club-tempo track.

What mixes well with Micro Diamond - Uvo's Macro Mix?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Micro Diamond - Uvo's Macro Mix good for peak time?

With energy 31 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track