Shades of Blue - Original Mix
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 80/100
- Pop
- 13/100
- Length
- 9:16
- Released
- 2019
- Album
- Dirty Talk
- Genre
- Progressive House
- Label
- Sudbeat
- Loudness
- -10.1 dB
- Dynamics
- 11.2 dB
- ISRC
- UKACT1915010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Shades of Blue - Original Mix: club-tempo progressive house, D major (10B), 122 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 93% of Marcelo Vasami's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 77% of Marcelo Vasami's catalogue
- Brightness:
- darker than 77% of Marcelo Vasami's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Shades of Blue - Original Mix in?
Shades of Blue - Original Mix by Marcelo Vasami is in D major, or 10B on the Camelot wheel.
What BPM is Shades of Blue - Original Mix?
Shades of Blue - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Shades of Blue - Original Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Shades of Blue - Original Mix good for peak time?
With energy 80 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Moments Becoming Endless Time [Dub Mix] by Guy Mantzur cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2fc776d378a00f8d9504.webp){kind=small}
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Marcelo Vasami
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
