![Moments Becoming Endless Time [Dub Mix] by Guy Mantzur cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2fc776d378a00f8d9504.webp)
Moments Becoming Endless Time [Dub Mix]
- BPM
- 122
- Open Key
- 3m
- Energy
- 80/100
- Pop
- 20/100
- Length
- 10:26
- Released
- 2013
- Genre
- Progressive House
- Loudness
- -8.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Moments Becoming Endless Timeoriginal10A · 122
- Moments Becoming Endless Time (feat. Kamila) - Original Mixoriginal10A · 122
- Moments Becoming Endless Time (feat. Kamila) - Dub Mixversion11A · 122
Against the original (10A at 122 BPM), this version holds the same tempo in the same key.
Moments Becoming Endless Time [Dub Mix] runs 122 BPM in B minor (10A), a club-tempo progressive house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Better known than 91% of Guy Mantzur's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 79% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Moments Becoming Endless Time [Dub Mix] in?
Moments Becoming Endless Time [Dub Mix] by Guy Mantzur is in B minor, or 10A on the Camelot wheel.
What BPM is Moments Becoming Endless Time [Dub Mix]?
Moments Becoming Endless Time [Dub Mix] runs at 122 BPM, a club-tempo track.
What mixes well with Moments Becoming Endless Time [Dub Mix]?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Moments Becoming Endless Time [Dub Mix] good for peak time?
With energy 80 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
