Moments Becoming Endless Time (feat. Kamila) - Dub Mix
30s preview
- BPM
- 122
- Open Key
- 4m
- Energy
- 77/100
- Pop
- 1/100
- Length
- 10:25
- Released
- 2013
- Album
- Moments
- Genre
- Progressive House
- Loudness
- -8.3 dB
- Dynamics
- 12.6 dB
- ISRC
- USA2P1388062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Moments Becoming Endless Timeoriginal10A · 122
- Moments Becoming Endless Time [Dub Mix]version10A · 122
- Moments Becoming Endless Time (feat. Kamila) - Original Mixoriginal10A · 122
Against the original (10A at 122 BPM), this version holds the same tempo and moves the key from 10A to 11A.
At 122 BPM in F♯ minor (11A), Moments Becoming Endless Time (feat. Kamila) - Dub Mix is a club-tempo progressive house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Slower than 79% of Guy Mantzur's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Moments Becoming Endless Time (feat. Kamila) - Dub Mix in?
Moments Becoming Endless Time (feat. Kamila) - Dub Mix by Guy Mantzur is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Moments Becoming Endless Time (feat. Kamila) - Dub Mix?
Moments Becoming Endless Time (feat. Kamila) - Dub Mix runs at 122 BPM, a club-tempo track.
What mixes well with Moments Becoming Endless Time (feat. Kamila) - Dub Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Moments Becoming Endless Time (feat. Kamila) - Dub Mix good for peak time?
With energy 77 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 122 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
