Somewhere We Can Go - Tini Tun Remix
30s preview
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 9:17
- Released
- 2014
- Album
- Somewhere We Can Go: The Remixes
- Genre
- Deep House
- Loudness
- -8.0 dB
- Dynamics
- 9.8 dB
- ISRC
- GBEF91220257
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Somewhere We Can Gooriginal4A · 115
- Somewhere We Can Go - Michael A Remixremix3A · 115
- Somewhere We Can Go - Phonic Scoupe Remixremix3A · 122
Against the original (4A at 115 BPM), this version runs 7 BPM faster and moves the key from 4A to 9B.
Somewhere We Can Go - Tini Tun Remix runs 122 BPM in G major (9B), a club-tempo deep house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Öona Dahl's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 81% of Öona Dahl's catalogue
- Energy:
- hotter than 76% of Öona Dahl's catalogue
- Groove:
- groovier than 76% of Öona Dahl's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Somewhere We Can Go - Tini Tun Remix in?
Somewhere We Can Go - Tini Tun Remix by Öona Dahl is in G major, or 9B on the Camelot wheel.
What BPM is Somewhere We Can Go - Tini Tun Remix?
Somewhere We Can Go - Tini Tun Remix runs at 122 BPM, a club-tempo track.
What mixes well with Somewhere We Can Go - Tini Tun Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Somewhere We Can Go - Tini Tun Remix good for peak time?
With energy 81 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Öona Dahl
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
