11 Moons - Orsen Remix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:56
- Released
- 2018
- Album
- 11 Moons
- Genre
- Progressive House
- Loudness
- -9.1 dB
- Dynamics
- 9.7 dB
- ISRC
- US83Z1804013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 11 Moonsoriginal8B · 122
- 11 Moons - Cream & Deep Fog Remixremix3A · 122
- 11 Moonsoriginal8B · 122
Against the original (8B at 122 BPM), this version holds the same tempo and moves the key from 8B to 3A.
11 Moons - Orsen Remix: club-tempo progressive house, B♭ minor (3A), 122 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of GMJ's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is 11 Moons - Orsen Remix in?
11 Moons - Orsen Remix by GMJ is in B♭ minor, or 3A on the Camelot wheel.
What BPM is 11 Moons - Orsen Remix?
11 Moons - Orsen Remix runs at 122 BPM, a club-tempo track.
What mixes well with 11 Moons - Orsen Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is 11 Moons - Orsen Remix good for peak time?
With energy 80 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
![Moments Becoming Endless Time [Dub Mix] by Guy Mantzur cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2fc776d378a00f8d9504.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
