EXT 135 - Kasey Taylor & Karl Pilbrow Remix
30s preview
- BPM
- 121
- Open Key
- 8d
- Energy
- 77/100
- Pop
- 15/100
- Length
- 8:24
- Released
- 2025
- Album
- Telomeres / EXT 135 (Kasey Taylor & Karl Pilbrow Remix)
- Genre
- Progressive House
- Label
- Meanwhile
- Loudness
- -9.8 dB
- Dynamics
- 11.2 dB
- ISRC
- US83Z2510851
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- EXT 135original11A · 121
- EXT 135 - GMJ & Matter Ambient Repriseoriginal9A · 121
Against the original (11A at 121 BPM), this version holds the same tempo and moves the key from 11A to 3B.
EXT 135 - Kasey Taylor & Karl Pilbrow Remix is a club-tempo progressive house track in D♭ major (3B) at 121 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 95% of GMJ's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 84% of GMJ's catalogue
- Brightness:
- darker than 76% of GMJ's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is EXT 135 - Kasey Taylor & Karl Pilbrow Remix in?
EXT 135 - Kasey Taylor & Karl Pilbrow Remix by GMJ is in D♭ major, or 3B on the Camelot wheel.
What BPM is EXT 135 - Kasey Taylor & Karl Pilbrow Remix?
EXT 135 - Kasey Taylor & Karl Pilbrow Remix runs at 121 BPM, a club-tempo track.
What mixes well with EXT 135 - Kasey Taylor & Karl Pilbrow Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is EXT 135 - Kasey Taylor & Karl Pilbrow Remix good for peak time?
With energy 77 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 121 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
