96:05 10:00
30s preview
- BPM
- 125
- Open Key
- 4m
- Energy
- 31/100
- Pop
- 2/100
- Length
- 10:07
- Released
- 1996
- Album
- Concept 1 96:12
- Genre
- Minimal
- Label
- From Our Minds
- Loudness
- -11.9 dB
- Dynamics
- 12.6 dB
- ISRC
- USA2P2045448
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in F♯ minor (11A), 96:05 10:00 is a club-tempo minimal production. It reads as brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 1996 production that still circulates in sets. More underground than 88% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 83% of Richie Hawtin's catalogue
- Energy:
- calmer than 76% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 55%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is 96:05 10:00 in?
96:05 10:00 by Richie Hawtin is in F♯ minor, or 11A on the Camelot wheel.
What BPM is 96:05 10:00?
96:05 10:00 runs at 125 BPM, a club-tempo track.
What mixes well with 96:05 10:00?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is 96:05 10:00 good for peak time?
With energy 31 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
