Brenzlich, brenzlich dachte der Feuersalamander by Dominik Eulberg cover art

Brenzlich, brenzlich dachte der Feuersalamander

Dominik Eulberg

30s preview

Key
3B · D♭ major
BPM
130
Open Key
8d
Energy
63/100
Pop
0/100
Length
8:14
Released
2004
Album
Flora & Fauna
Genre
Tech House
Loudness
-7.3 dB
Dynamics
16.5 dB
ISRC
DEBW20400233

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Brenzlich, brenzlich dachte der Feuersalamander: peak-time tempo tech house, D♭ major (3B), 130 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). A 2004 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a mid-set roller.

Tempo:
faster than 85% of Dominik Eulberg's catalogue
Low end:
more treble-tilted than 80% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood32Dark
Groove78
Acoustic7
Instrumental45
Live7
Speech17

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Brenzlich, brenzlich dachte der Feuersalamander in?

Brenzlich, brenzlich dachte der Feuersalamander by Dominik Eulberg is in D♭ major, or 3B on the Camelot wheel.

What BPM is Brenzlich, brenzlich dachte der Feuersalamander?

Brenzlich, brenzlich dachte der Feuersalamander runs at 130 BPM, a peak-time tempo track.

What mixes well with Brenzlich, brenzlich dachte der Feuersalamander?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Brenzlich, brenzlich dachte der Feuersalamander good for peak time?

With energy 63 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More tech house

More from Dominik Eulberg

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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