Gwen - Edward Remix
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 62/100
- Pop
- 6/100
- Length
- 7:56
- Released
- 2025
- Album
- Drag-o Mir
- Genre
- Minimal
- Loudness
- -9.6 dB
- Dynamics
- 10.4 dB
- ISRC
- DEY472578006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gwenoriginal1A · 128
Against the original (1A at 128 BPM), this version holds the same tempo and moves the key from 1A to 9B.
At 128 BPM in G major (9B), Gwen - Edward Remix is a peak-time tempo minimal production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 94% of Rhadoo's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- faster than 81% of Rhadoo's catalogue
- Brightness:
- brighter than 75% of Rhadoo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Gwen - Edward Remix in?
Gwen - Edward Remix by Rhadoo is in G major, or 9B on the Camelot wheel.
What BPM is Gwen - Edward Remix?
Gwen - Edward Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Gwen - Edward Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Gwen - Edward Remix good for peak time?
With energy 62 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More minimal
More from Rhadoo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
