Infatuate by Christian Smith cover art

30s preview

Key
1A · A♭ minor
BPM
130
Open Key
6m
Energy
74/100
Pop
8/100
Length
5:41
Released
2022
Genre
Techno
Label
Trick
Loudness
-8.0 dB
Dynamics
8.1 dB
ISRC
GBJX32263014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Infatuate sits in A♭ minor (1A) at 130 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 87% of Christian Smith's catalogue. For programming, treat it as a floor-filler.

Reach:
better known than 85% of Christian Smith's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood10Dark
Groove78
Acoustic0
Instrumental77
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is Infatuate in?

Infatuate by Christian Smith is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Infatuate?

Infatuate runs at 130 BPM, a peak-time tempo track.

What mixes well with Infatuate?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Infatuate good for peak time?

With energy 74 out of 100 at 130 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More techno

#Track

More from Christian Smith

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track