
A World Where Nothing Else Matters
30s preview
- BPM
- 130
- Open Key
- 5d
- Energy
- 75/100
- Pop
- 7/100
- Length
- 4:38
- Released
- 2018
- Genre
- Techno
- Loudness
- -14.0 dB
- Dynamics
- 9.0 dB
- ISRC
- UKL9R1800007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A World Where Nothing Else Matters: peak-time tempo techno, E major (12B), 130 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Groovier than 94% of Nur Jaber's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 93% of Nur Jaber's catalogue
- Tempo:
- slower than 75% of Nur Jaber's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is A World Where Nothing Else Matters in?
A World Where Nothing Else Matters by Nur Jaber is in E major, or 12B on the Camelot wheel.
What BPM is A World Where Nothing Else Matters?
A World Where Nothing Else Matters runs at 130 BPM, a peak-time tempo track.
What mixes well with A World Where Nothing Else Matters?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is A World Where Nothing Else Matters good for peak time?
With energy 75 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 130 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Nur Jaber
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.