Satanism by Marco Ginelli cover art

30s preview

Key
4B · A♭ major
BPM
130
Open Key
9d
Energy
75/100
Pop
0/100
Length
6:54
Released
2019
Genre
Techno
Loudness
-12.1 dB
Dynamics
8.0 dB
ISRC
DEAR41974075

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Satanism runs 130 BPM in A♭ major (4B), a peak-time tempo techno record. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a floor-filler.

Energy:
calmer than 75% of Marco Ginelli's catalogue
Tempo:
slower than 75% of Marco Ginelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood7Dark
Groove71
Acoustic2
Instrumental70
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Satanism in?

Satanism by Marco Ginelli is in A♭ major, or 4B on the Camelot wheel.

What BPM is Satanism?

Satanism runs at 130 BPM, a peak-time tempo track.

What mixes well with Satanism?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Satanism good for peak time?

With energy 75 out of 100 at 130 BPM, it works best as a floor-filler.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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