Satanism - Sascha Audit Remix
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2019
- Album
- Satanism
- Genre
- Techno
- Loudness
- -11.7 dB
- Dynamics
- 7.8 dB
- ISRC
- DEAR41964019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Satanismoriginal4B · 130
- Satanism - Kamil Van Derson Remixremix12B · 132
Against the original (4B at 130 BPM), this version holds the same tempo and moves the key from 4B to 10A.
A peak-time tempo techno cut, Satanism - Sascha Audit Remix sits in B minor (10A) at 130 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 88% of Marco Ginelli's catalogue
- Tempo:
- slower than 75% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Satanism - Sascha Audit Remix in?
Satanism - Sascha Audit Remix by Marco Ginelli is in B minor, or 10A on the Camelot wheel.
What BPM is Satanism - Sascha Audit Remix?
Satanism - Sascha Audit Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Satanism - Sascha Audit Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Satanism - Sascha Audit Remix good for peak time?
With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
