Poly Nightmare
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 4d
- Energy
- 97/100
- Pop
- 8/100
- Length
- 7:06
- Released
- 2024
- Genre
- Industrial
- Loudness
- -1.6 dB
- Dynamics
- 7.0 dB
- ISRC
- NLCK42419358
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 145 BPM in A major (11B), Poly Nightmare is a driving up-tempo industrial production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master is squashed flat, built for loudness (crest 7 dB). Calmer than 81% of Somniac One's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 81% of Somniac One's catalogue
- Low end:
- more bass-heavy than 78% of Somniac One's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Poly Nightmare in?
Poly Nightmare by Somniac One is in A major, or 11B on the Camelot wheel.
What BPM is Poly Nightmare?
Poly Nightmare runs at 145 BPM, a driving up-tempo track.
What mixes well with Poly Nightmare?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Poly Nightmare good for peak time?
With energy 97 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 145 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
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More from Somniac One
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
