Limited Minds by Somniac One cover art

Limited Minds

Somniac One

30s preview

Key
2B · F♯ major
BPM
150
Half-time
75
Open Key
7d
Energy
100/100
Pop
2/100
Length
5:51
Released
2015
Genre
Hardcore
Loudness
-1.4 dB
Dynamics
16.9 dB
ISRC
QZJRB1994166

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 150 BPM in F♯ major (2B), Limited Minds is a fast hardcore production. It reads as dark and driving. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). A 2015 production that still circulates in sets. More treble-tilted than 91% of Somniac One's catalogue. In a set it works best as a high-intensity peak cut.

Reach:
more underground than 84% of Somniac One's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood4Dark
Groove55
Acoustic0
Instrumental14
Live63
Speech42

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Limited Minds in?

Limited Minds by Somniac One is in F♯ major, or 2B on the Camelot wheel.

What BPM is Limited Minds?

Limited Minds runs at 150 BPM, a fast track.

What mixes well with Limited Minds?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Limited Minds good for peak time?

With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 150 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

More hardcore

More from Somniac One

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track