Incredibly Annoying - Safety Trance Remix
30s preview
- Key
- 9B · G major
- BPM
- 150
- Half-time
- 75
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 19/100
- Length
- 2:55
- Released
- 2023
- Album
- Incredibly Annoying (Safety Trance Remix)
- Genre
- Techno
- Loudness
- -6.1 dB
- Dynamics
- 11.6 dB
- ISRC
- GBCFB2300379
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Incredibly Annoyingoriginal9B · 150
Against the original (9B at 150 BPM), this version holds the same tempo in the same key.
Incredibly Annoying - Safety Trance Remix runs 150 BPM in G major (9B), a fast techno record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 95% of VTSS's catalogue.
- Low end:
- more treble-tilted than 90% of VTSS's catalogue
- Tempo:
- faster than 78% of VTSS's catalogue
- Groove:
- less groove-driven than 78% of VTSS's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Incredibly Annoying - Safety Trance Remix in?
Incredibly Annoying - Safety Trance Remix by VTSS is in G major, or 9B on the Camelot wheel.
What BPM is Incredibly Annoying - Safety Trance Remix?
Incredibly Annoying - Safety Trance Remix runs at 150 BPM, a fast track.
What mixes well with Incredibly Annoying - Safety Trance Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Incredibly Annoying - Safety Trance Remix good for peak time?
With energy 98 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 150 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from VTSS
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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