Welcome Back Devil by Shlømo cover art

Welcome Back Devil

Shlømo

30s preview

Key
6B · B♭ major
BPM
144
Half-time
72
Open Key
11d
Energy
96/100
Pop
47/100
Length
5:21
Released
2019
Genre
Techno
Loudness
-7.3 dB
Dynamics
10.0 dB
ISRC
DEAE61900040

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 144 BPM in B♭ major (6B), Welcome Back Devil is a driving up-tempo techno production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Shlømo's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
hotter than 85% of Shlømo's catalogue
Tempo:
faster than 78% of Shlømo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood10Dark
Groove60
Acoustic0
Instrumental93
Live13
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Welcome Back Devil in?

Welcome Back Devil by Shlømo is in B♭ major, or 6B on the Camelot wheel.

What BPM is Welcome Back Devil?

Welcome Back Devil runs at 144 BPM, a driving up-tempo track.

What mixes well with Welcome Back Devil?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Welcome Back Devil good for peak time?

With energy 96 out of 100 at 144 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 144 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 144 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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