I'm Not Done Yet by Shlømo cover art

I'm Not Done Yet

Shlømo

30s preview

Key
9B · G major
BPM
154
Half-time
77
Open Key
2d
Energy
94/100
Pop
34/100
Length
5:24
Released
2024
Genre
Techno
Loudness
-5.4 dB
Dynamics
9.4 dB
ISRC
FR96X2446506

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, I'm Not Done Yet sits in G major (9B) at 154 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 86% of Shlømo's catalogue.

Tempo:
faster than 84% of Shlømo's catalogue
Energy:
hotter than 81% of Shlømo's catalogue
Low end:
more treble-tilted than 76% of Shlømo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood23Dark
Groove65
Acoustic3
Instrumental86
Live14
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is I'm Not Done Yet in?

I'm Not Done Yet by Shlømo is in G major, or 9B on the Camelot wheel.

What BPM is I'm Not Done Yet?

I'm Not Done Yet runs at 154 BPM, a fast track.

What mixes well with I'm Not Done Yet?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is I'm Not Done Yet good for peak time?

With energy 94 out of 100 at 154 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 154 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 154 — beatmatch without a big tempo pull.

More techno

More from Shlømo

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track