Pachamama - Ramiro Lopez Edit by Andres Campo cover art

Pachamama - Ramiro Lopez Edit

Andres Campo

30s preview

Key
3A · B♭ minor
BPM
153
Half-time
77
Open Key
8m
Energy
94/100
Pop
7/100
Length
4:25
Released
2025
Album
Pachamama Paya
Genre
Techno
Label
Odd Recordings
Loudness
-3.6 dB
Dynamics
11.5 dB
ISRC
UKACT2580024

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 125 BPM), this version runs 28 BPM faster and moves the key from 3B to 3A.

Pachamama - Ramiro Lopez Edit: fast techno, B♭ minor (3A), 153 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 97% of Andres Campo's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 93% of Andres Campo's catalogue
Low end:
more treble-tilted than 87% of Andres Campo's catalogue
Energy:
hotter than 81% of Andres Campo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood9Dark
Groove63
Acoustic0
Instrumental84
Live12
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Pachamama - Ramiro Lopez Edit in?

Pachamama - Ramiro Lopez Edit by Andres Campo is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Pachamama - Ramiro Lopez Edit?

Pachamama - Ramiro Lopez Edit runs at 153 BPM, a fast track.

What mixes well with Pachamama - Ramiro Lopez Edit?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Pachamama - Ramiro Lopez Edit good for peak time?

With energy 94 out of 100 at 153 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 153 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 144-162 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 153 — beatmatch without a big tempo pull.

#Track

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#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 153 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track