Too Hot by Kink cover art

Too Hot

Kink

30s preview

Key
10B · D major
BPM
152
Half-time
76
Open Key
3d
Energy
94/100
Pop
0/100
Length
4:07
Released
1984
Album
Word of Mouth
Genre
Techno
Loudness
-8.3 dB
Dynamics
16.7 dB
ISRC
USQX91401287

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 152 BPM in D major (10B), Too Hot is a fast techno production. The feel is bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 17 dB). A 1984 production that still circulates in sets. More underground than 99% of Kink's catalogue.

Energy:
hotter than 94% of Kink's catalogue
Low end:
more treble-tilted than 88% of Kink's catalogue
Tempo:
faster than 84% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood80Bright
Groove62
Acoustic10
Instrumental0
Live25
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Too Hot in?

Too Hot by Kink is in D major, or 10B on the Camelot wheel.

What BPM is Too Hot?

Too Hot runs at 152 BPM, a fast track.

What mixes well with Too Hot?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Too Hot good for peak time?

With energy 94 out of 100 at 152 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 152 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 152 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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