Pain by Setaoc Mass cover art

30s preview

Key
9A · E minor
BPM
77
Double-time
154
Open Key
2m
Energy
89/100
Pop
1/100
Length
4:30
Released
2022
Genre
Techno
Loudness
-8.3 dB
Dynamics
9.8 dB
ISRC
NLCK42214476

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 77 BPM in E minor (9A), Pain is a techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Setaoc Mass's catalogue.

Groove:
less groove-driven than 89% of Setaoc Mass's catalogue
Low end:
more treble-tilted than 84% of Setaoc Mass's catalogue
Brightness:
brighter than 77% of Setaoc Mass's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood46Balanced
Groove58
Acoustic0
Instrumental85
Live13
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Pain in?

Pain by Setaoc Mass is in E minor, or 9A on the Camelot wheel.

What BPM is Pain?

Pain runs at 77 BPM.

What mixes well with Pain?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Pain good for peak time?

With energy 89 out of 100 at 77 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 77 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 72-82 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 77 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 77 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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