Fall in Love - The Rework
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 11/100
- Length
- 5:16
- Released
- 2021
- Album
- Fall in Love
- Genre
- Techno
- Label
- Nali
- Loudness
- -6.8 dB
- Dynamics
- 10.8 dB
- ISRC
- UKN6K2002563
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fall in Loveoriginal3B · 141
Against the original (3B at 141 BPM), this version runs 2 BPM faster and moves the key from 3B to 3A.
Fall in Love - The Rework: driving up-tempo techno, B♭ minor (3A), 143 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 91% of Julian Muller's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 89% of Julian Muller's catalogue
- Tempo:
- slower than 77% of Julian Muller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Fall in Love - The Rework in?
Fall in Love - The Rework by Julian Muller is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Fall in Love - The Rework?
Fall in Love - The Rework runs at 143 BPM, a driving up-tempo track.
What mixes well with Fall in Love - The Rework?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Fall in Love - The Rework good for peak time?
With energy 100 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 143 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More techno
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More from Julian Muller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
