Raga Megh Malhar
30s preview
- BPM
- 122
- Open Key
- 5d
- Energy
- 44/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2015
- Album
- Dusty Archives EP
- Genre
- Deep House
- Label
- Copycow
- Loudness
- -11.8 dB
- Dynamics
- 9.9 dB
- ISRC
- GBMEG1500500
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Raga Megh Malhar is a club-tempo deep house track in E major (12B) at 122 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Groovier than 99% of Timboletti's catalogue.
- Reach:
- more underground than 99% of Timboletti's catalogue
- Energy:
- calmer than 82% of Timboletti's catalogue
- Low end:
- more bass-heavy than 80% of Timboletti's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Raga Megh Malhar in?
Raga Megh Malhar by Timboletti is in E major, or 12B on the Camelot wheel.
What BPM is Raga Megh Malhar?
Raga Megh Malhar runs at 122 BPM, a club-tempo track.
What mixes well with Raga Megh Malhar?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Raga Megh Malhar good for peak time?
With energy 44 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 122 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Timboletti
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
