West on Mars by Guy J cover art

West on Mars

Guy J

30s preview

Key
12A · D♭ minor
BPM
126
Open Key
5m
Energy
80/100
Pop
6/100
Length
8:31
Released
2017
Genre
Progressive House
Label
Bedrock Records
Loudness
-7.9 dB
Dynamics
10.5 dB
ISRC
GBEPM1701266

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

West on Mars is a club-tempo progressive house track in D♭ minor (12A) at 126 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Darker than 86% of Guy J's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 76% of Guy J's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood8Dark
Groove77
Acoustic0
Instrumental82
Live15
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is West on Mars in?

West on Mars by Guy J is in D♭ minor, or 12A on the Camelot wheel.

What BPM is West on Mars?

West on Mars runs at 126 BPM, a club-tempo track.

What mixes well with West on Mars?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is West on Mars good for peak time?

With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive house

More from Guy J

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track