Amorphous Love - Ian O'Donovan Loveless Mix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 2011
- Album
- Amorphous Love
- Genre
- Progressive House
- Loudness
- -6.7 dB
- Dynamics
- 9.5 dB
- ISRC
- US83Z1332436
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Amorphous Love - Deepfunk In Space Mixoriginal3A · 123
- Amorphous Love - Original Mixoriginal6A · 126
- Amorphous Loveoriginal6A · 126
- Amorphous Love - Deepfunk In Space Mixoriginal3A · 123
- Amorphous Love - Ian O´Donovan Loveless Mixoriginal3A · 126
Amorphous Love - Ian O'Donovan Loveless Mix runs 126 BPM in B♭ minor (3A), a club-tempo progressive house record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Guy Mantzur's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 79% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Amorphous Love - Ian O'Donovan Loveless Mix in?
Amorphous Love - Ian O'Donovan Loveless Mix by Guy Mantzur is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Amorphous Love - Ian O'Donovan Loveless Mix?
Amorphous Love - Ian O'Donovan Loveless Mix runs at 126 BPM, a club-tempo track.
What mixes well with Amorphous Love - Ian O'Donovan Loveless Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Amorphous Love - Ian O'Donovan Loveless Mix good for peak time?
With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
